Samuel Hobbs

Artistic Director

Samuel Hobbs was a university track athlete before his exposure to dance in 2004. He studied on scholarship at Western Oregon University, Long Beach Ballet, and the American Dance Festival in Classical Ballet and Contemporary Modern Dance; graduating in 2007 with a degree in the Visual and Performing Arts—Dance, Art and Music.   Samuel’s professional career spans main roles in ballet productions in both Oregon and Washington States; performances with Lauren Edson, Lindsey Matheis, and Éowyn Emerald & Dancers; national performances with Minh Tran & Co. and BodyVox of Portland, OR, and international performances with Rainbow Dance Theatre of Monmouth, OR, most notably at the World Expositions in Nagoya, Japan, and Shanghai, China. Samuel has taught both nationally and internationally as an instructor of contemporary movement and partnering. His choreographed works have been performed throughout the Pacific Northwest. Following a series of choreographic successes in Portland, OR, Samuel formed push/FOLD in 2015.   Set to his original sound scores, Samuel’s choreographed works are acknowledged for their athleticism and utilization of momentum based choreography. His approach, called ‘Visceral Movement Theory ™’ (VMT), is rooted in the anatomy and kinesiology of our organs, fusing Samuel’s training in Classical Ballet and Contemporary Modern Dance with his athletic background. VMT forms the backbone of push/FOLD’s athletic style of movement.   Samuel currently resides in Portland, OR as a director, choreographer, dancer, and instructor, working outside of dance as a Licensed Manual Therapist, and Software Developer.

Holly Shaw

Managing Director

Holly Shaw was born and raised in Northern California, where she began her dance training at the age of seven in Ballet, Tap, and Jazz. Turning her focus to Ballet in High School, Holly began performing with Crockett-Deane Ballet, and Sacramento Ballet, studying on scholarship at the Houston Ballet Academy during the summer of 2005.   In 2006, Holly began attending the University of Utah in Salt Lake City, where she performed internationally with the resident company Utah Ballet, and began her professional career in 2007 as a guest-artist with Aspen-Santa Fe Ballet. Holly graduated with a Bachelor’s of Fine Arts in Ballet with an emphasis in Performance and Teaching in 2010.   After graduation, Holly moved to Portland, Oregon to continue her professional career, performing nationally, and internationally, with BodyVox, and Éowyn Emerald & Dancers; and regionally with skinner|kirk DANCE ENSEMBLE. In 2015 Holly began working with push/FOLD, where she continues to perform as a main company member, and is an integral part of the administration as Managing Director.   Outside of dance, Holly works as a STOTT Pilates Instructor-Trainer.

Jessica Evans


Jessica Evans came of age in the mist and wind of the Southern Oregon Coast, where she began dancing with Mary Bonasera Matthews at the age of 14. Jessica studied predominantly Modern Dance throughout high school, and despite her relatively late start, earned a reputation for being a powerful performer and an intuitive, graceful mover. She danced as a principal with Rainbow Dance Theatre while earning her BA at Western Oregon University, performing nationally, and internationally, from 2005-12 under the direction of Darryl Thomas (Pilobolus) and Valerie Bergman (Merce Cunningham/Nina Weiner). Notably, she performed at the 2010 World Exposition in Shanghai, China and taught, performed, and set a dance work in residency at the Singapore American School in Singapore in 2012.   In Portland, she is a Co-Founder/Co-Director of SubRosa Dance Collective, a self-producing company of individual artists, dances with push/FOLD, and practices Bodywork and Energy Therapy.

Briley Jozwiak


A native of Vancouver, WA, Briley Jozwiak started dancing at the age of four, spending her youth training in Ballet, Tap, Jazz, and Modern Dance under the direction of Maricar Drilon and Russell Capps. She spent her summers training at Alonzo King Lines Ballet, Oregon Ballet Theatre, and finally Atlanta Ballet where she began her professional career in 2010; performing works by Twyla Tharp, Christopher Wheeldon, James Kudelka, and Helen Pickett. In 2013, Briley became a company member with Nevada Ballet Theatre before taking the position of Soloist with Ballet Tucson in 2014.   In 2015, Briley moved back to the Pacific Northwest to expand her boundaries in dance and performance. She is currently a STOTT Pilates Instructor and dances with push/FOLD and The Holding Project.

push/FOLD - Company